
Books

Journey To Long Nose
A humorous dissection of one woman's shifting racial and ethnic identification in the United States over the last fifty years.
An American woman's journey begins when a boy at her son's school party asks, "Why is your mom's nose so big?"
When her family gets unexpected news from ancestry.com, her search for an American identity becomes a crisis, er, outing.
"Pollock’s endearing narrative voice carries readers through a heartfelt and hilarious narrative that invites them to contemplate their own histories. The result is a quirky and moving meditation on our society’s obsession with identity."
Kirkus Review
Reviews for Journey to Long Nose
STORYTELLING
"Rachel Pollock weaves humor, heart, and honesty into a story that lingers long after you’ve finished the last page. I found myself smiling, reflecting, and seeing a little more of my own story along the way. I’ve always believed the best stories don’t just entertain us. They quietly hand us a mirror. That’s what Journey to Long Nose does. What begins as a journey into family ancestry becomes a journey into the writer's personal identity, reminding us that understanding where we come from helps us understand who we are."
Kim Weitkamp
speaker::storyteller::humorist::author
"We live in a web of stories, it is the core of our DNA. Even when we sleep, our mind continues to whisper these twisted delights."
LITERATURE
"A quick and compelling read, full of wit & wisdom." "Tongue-in-cheek, fast-paced and funny, it also includes a profound social critique and serious examination of the building blocks of identity and personality. Sensitive, energetic, and often very insightful, your book was a revelation in many ways & a proverbial page-turner for me."
Edward Fisher, PhD, is a poet and literary critic residing in Pine Bush, New York. Word Salad Days (2020), Darwin's Circus (2012), Out of the Eggs of Ants: An African Sketchbook (2019), Pressed Petals (2021)
FRINGE THEATER
"Journey to Long Nose offers the chance to examine one’s relationship with labels – how we categorize others and others categorize us -- and decide to undergo a journey of one’s own." (full review) "In her memoir Journey to Long Nose, R.R. Pollock humorously navigates the channels that divide genealogical evidence, cultural belonging, and personal identity. “[Children] mirror the undercurrent of everything adults mean never to say.” The titular journey begins with a simple statement from an elementary school child: “You’ve got a big nose.” R.R. Pollock’s style is defined by her narrative voice, both sharp and flippant, while still being charming. The child’s interrogation reflects onto Pollock, provoking an interrogation of the self that demands the answer to the question, “Where am I from?” and more importantly “Does it matter?” “We yearn to hear myths that explain how and why we came to be who and where we are.” Pollock begins to navigate through the shifting terrain of finding herself. Weaving through the empty spaces that divide inherited stories, cultural practices, and genetic evidence, Pollock leads us through her search for answers; grandparents insinuating (untrue) Cherokee ancestry, strangers drawing familial ties through a perceived shared silhouette, and a faculty member assuming Jewish identity from an incidental remark and extending a Hanukkah invitation. Pollock tactfully traverses the differences between cultural appropriation and appreciation, reflecting scrutiny inwards, examining her own perpetration of both. This careful self-reflection retains its wry wit, carrying the book forward even when its metaphors threaten to become heavy-handed. “People change. Lives change. Identities change.” Journey to Long Nose began (as an art piece) in 2019 at the DC Capital Fringe Festival. This is important in understanding the book’s structure, a series of vignettes that establish how a person’s understanding shifts over time. As it so happens, I was at the premiere in 2019 as a theater critic and have myself evolved alongside this work. Journey to Long Nose offers the chance to examine one’s relationship with labels – how we categorize others and others categorize us -- and decide to undergo a journey of one’s own."
Helen Ganley, Theater Critic
September 5, 2026. "A Meditation on the Complicated Business of Belonging"



